Two Aliens Before Breakfast

As my speed at digital painting increases I'm applying short cuts, tips and tricks, and training my hands and eyes to work simultaneously. The nearest analogy I can think of is playing the guitar: right hand strums, left hand fingers the fret board. With this WACOM tablet, my right hand manipulates the keys on my lap top key board while the left monkeys with the stylus. Here are two coloring jobs I did before breakfast this AM. I'm still learning how to adjust pixels and resolution sizes and not even attempting shading yet.

Characters: First Glimpse

When musing on Ecclesiastes I think, "These reflections are weak; exquisite dialog will beef up the plot."

When editing dialog I think, "These word balloons are weak; exquisite characters will beef up the story."

When creating characters I think, "These talking heads are boring; an exquisite narrative arc will beef up the plot."

When shaping the plot I think, "This plot is weak; exquisite model sheets will beef up the message."

When drawing model sheets I think, "These black and white drawings are weak; exquisite penciling, inking, and coloring will beef up the drawings."

On and on the chase goes. I aspire to exquisite-ness (new word) yet exquisite-ness eludes me at every turn. It's like jacking up a car four corners at a time; I'm running around shoring up sagging aspects of this work in progress in a semi-hallucinatory frenzy. It's not one big project, it's ten million little projects. The exquisite product "in my head" is light years beyond what is actually being produced which is decidedly un-exquisite (another new word). And yet I keep hoping all the pieces will coalesce, fall together, merge seemlessly into one glorious finale (when mixed metaphors flow like Niagara I'm in a creative rant mode).

Here's the first un-exquisite glimpse of who we're dealing with in Ecclesiastes University in order of appearance. I apologize for the poor scanning job; eagerness to post before leaving for work necessitated haste/waste. CS Lewis said, "Half a loaf is better than no bread." I say, "A hasty scan is better than no scan."

One further observation: the alien son looks nothing like his alien father. How do I explain this?  Choose one:

A. The son is adopted.

B.  In their alien universe achieving enlightenment (as the alien dad has done) results in an evolutionary casting off of vestigial mechanical accouterments: hoses, wheels, goggles, etc.

C. There's a dad lookalike inside all those mechanical accouterments. The son is just decked out in the youthful fashions of on his planet.

D. I am lazy and don't want to draw two Steam Punk aliens inside the space ship. 

E. The world views of both aliens is so different I didn't want to confuse readers by drawing them similarly. Their disparate appearances is symbolic of their disparate means to galactic unity: technology vs. metaphysics. 

And a final question: what's up with Karenoia's lack of chin? She's an adaptation of this old caricature:

Milestone Reached

Just completed the new Draft Five. What previously had been 35 pages has grown to 53 pages (106 half pages in Publisher). I've added two narrators (space aliens) who eavesdrop on the class and comment not unlike these quipping pop culture icons:

Mystery Science Theater 3000

Muppets Two Old Men

Furthermore, I've isolated 22 main characters and have given them names, ages, majors, motivations, and philosophical orientations. It's like I'm playing chess while simultaneously inventing the pieces and the moves they make. I've created these 22 characters and turned them loose to listen to Dr. Q jabber on and on about life's futility.

So now, at long last, I begin the delicious task of making model sheets. I'm fighting the temptation to buy my Bamboo Tablet yet. I'll tackle this next stage of the journey with old fashioned paper and pencil. 

Story Boarding

Here are the first 16 pages. I'm inserting new pages of alien dialog into the previously posted 35 pages. It breaks up the talking head monotony only a wee bit.

I've tried a dozen different ways to break out of talking head format and failed. My creation is a wordy philosophical rumination and wordiness comes with the territory. Giving visual cues to who is ruminating requires me to draw heads. Many of them.

So, I'm back to my original ambition: draw those talking heads with pizzazz and verve. As I've edited the pages pictured above they've become rather sketchy and unsuitable for re-posting "as is" on the other blog for First Readers.

This creates another puzzle. When I introduce the alien narrators I'm afraid they'll be viewed as unwelcome kitsch unless I present the pages in full color and with full character development (model sheets). I'm constantly challenged to prevent the rough draft drawings detracting from story development.

If I buy the software and tablet for digital rendering now that'll require weeks if not months of learning new techie stuff which will distract from my current task: posting the rough draft for First Reader evaluation.

This poses a ton of new problems. 

How polished do I make the rough draft for public evaluation?
How long will it take to polish the first 35 pages?
Do I keep my original plan and print the Publisher pages of word balloons on card stock for pencil/ink line drawings to then be digitally colored?
Or do I try to learn how to draw them digitally?
If digitally, will the new software allow me to import 250 pages of Publisher?
If not, must I print and re-scan each page?
Once polished will First Readers subconsciously expect the remaining 200 pages of rough draft to look as polished?

One definition of creativity: throw yourself into a quagmire of complexity and then try to fight your way out.