Rather then cook up characters out of thin air I thought I'd peruse my collected drawings for candidates. I have boxes and boxes of stuff I've drawn over the years and I kept them "in case I could ever use them in the future." That future is here!
I then plop myself on our living room couch and think graphically!
I didn't leave clear directions when plotting chapter one so I'm using sticky notes to figure out who is sitting where.
I then sketch the character on rough Draft Five. I'm coloring them in, too, just for the fun of it. Pictured above: the character I've named Karenoia (the anxiety queen), and Joker (the bon mot king). I've also got preliminary drawings of Dr. Q, TA, and a few others.
This new stage of creation has my adrenaline pumping, dopamine surging, and serotonin gushing. The pleasure is hard to describe but take my word for it, few endeavors bring me this much joy.
Musings While Creating My Very First Philosophical, Existential, Theological, Graphic Novel
Ecclesiastes University...where pages are being posted for evaluation
Friday, June 29, 2012
Thursday, June 28, 2012
Completed Draft Four!
Don't ask me how I did it; I'm as astonished as anyone. But after six months I'm done writing, and after what seems like 200 years I'm done arranging dialog boxes. Art Spiegelman did 'em by hand; I used technology. I hope that by doing so I haven't given the book a mechanical look. Anyway, I've been tweaking words for half a year forcing myself not to start drawing this thing. But the waiting is over and I'm giddy as a school girl.
This major shift in project management (moving from writer to artist) will be interesting to observe.
This major shift in project management (moving from writer to artist) will be interesting to observe.
- Will my blog posts improve? My subject/predicate synapses will now be bored!
- Will my whining about tedium decrease? Let's hope so!
- Will my dopamine transmitters unleash euphoric brain chemicals? I can't wait!
- How long will drawing Draft Four (thumbnail sketches) take?
- How will my initial readers respond? I've got 30 names I'm going to invite to "proof read" this thing with me. I'm going to ask them to invite their friends in secular university (age 18-22) to join us.
- Will I migrate to the drawing table I set up?
- Or will I be able to do these prelim drawings on the couch where I've planted myself?
- Will my decision to start drawing thumbnails rather than making full character design pages help or hurt? I plan on making up each character on each page and collect these into individual folders for each individual character.
It's too dark to make a video so here are some photos of my labor since last Dec.
You've seen this before (64 pages) |
228 pages with scotch tapes faces inside |
The world's most boring photo! (228 pages of scribbled character seating arrangements) |
My pride and joy, Draft Four (229 pages waiting for thumbnail sketches) |
The whole she-bang (with chapter division chart) |
NOTE: As I add thumbnail sketches to Draft Four I'll be calling it Draft Five.
Tuesday, June 26, 2012
Further Tricks on How I Stay Focused When Bored by Tedium
This strategy
is somewhat quirky but if it helps others stay focused, great. It’s
complicated, so hang in here. We begin with three mental images: 1) Superman, 2)
time lapse photography, and 3) high speed photography.
1) In the TV
show Smallville, Clark Kent (Superman) runs really, really fast. When he
does, the world around him slows down. From his point of view, he’s just
plodding along. But compared to the world out there he’s lightening fast. It’s
a “relativity of time” sort of thing. At first glance it seems like that would
be a cool skill—speed up you, slow down time. At second
glance, however, if we all lived at a Clark Kent pace 24/7 we’d eventually want
more time. It’s human nature; if we were given a 36 hour day it wouldn't be
long until we’d want a 48 hour day. It’s the human condition for our reach to
exceed our grasp.
Okay, got
this “relativity of time” thing in your head?
2) Now, think
of all the things around you that slowly decrease, little by little. Over time
I can barely see the amount of coffee grounds in the one pound coffee can in my
kitchen slowly diminish. I barely see the toothpaste in the tube gradually
empty out. But if we were to take a time lapse photo of the coffee can or
toothpaste tube every day and then watch them sped up, our cans and tubes would
empty instantly. In real time it takes weeks to empty those things. Like those
sped up shots of growing plants, moving clouds, or blooming roses--time is
condensed. We need not take actual photos to visualize this; with our
imagination we can see time sped up.
3) Finally,
think of all those high speed photography Youtube clips you’ve seen of bullets slowly
puncturing balloons, drops of water slowly falling into a sink, or the spray of
germs from a slow motion sneeze. When filmed at super high speed (like
Superman), and watched at a slower speed (like those of us not from the planet
Krypton), fast actions slow down.
With
these three goofy images in mind, let’s turn our attention to your tedious
tasks using my tedious tasks for illustration.
When I see a
pile of 428 pages each of which requires ten to fifteen minutes of tedious
editing, my heart sinks. I shudder at the hours I’m going to “waste.” I cringe
at the thought of missing out on sunshine, fresh air, and hanging with friends.
To combat those negative thoughts I do the following.
I pretend I’m
Superman running real fast and the world around me is moving real slow. While
traveling at that super human pace I feel like Superman feels, just plodding
along, tweaking one tedious page at a time. Even Superman feels like he’s going
slowly, but he’s doing his best. This relieves me of the pressure I feel to
“work faster.”
I pretend I’m
taking daily photos of the stack of un-edited pages in front of me and in my
mind I speed up the film and weeks of real time are condensed to a fifteen
second video clip. The height of my papers magically shrinks. This relieves me
of the illusion, “I’m not making any progress.”
I pretend each
tedious task (clicking a mouse 100s of times on each page) is being filmed at
high speed and will be replayed in slow motion. This reminds me of how many
actions I actually do per page. What takes a tedious minute in real time looks in slow motion like an infinite number of muscle movements, eye/hand coordination, and precise
acts. This relieves me of the faulty notion, “This is unskilled work.”
If the above
mental tricks don’t work for you….repeat after me:
- Instant gratification takes too long.
- We over estimate what we can do in a day but
under estimate what we can do in a year.
- “He who gathers money little by little makes it grow.” (Proverbs
13:11).
- "Moments tumble like grains of sand falling
through an hourglass of time" is a stupid metaphor in this high tech age but sounds more poetic
than “digital minutes on our cell phone alarms tick away.”
- The world will beat a path to my door, folks
will stand in the snow to get a glimpse of my work, and what doesn’t kill
me makes me stronger.
- Upon completion of this task I will win a
Nobel Prize in one or more the following categories: peace, economics,
literature, physics, chemistry, physiology and medicine.
Making Tedious Work Tolerable
As I near the end of Draft Four (oh joy, oh rapture) I wonder how I slogged through the weeks of mind numbing tedium. Here are the ideas I found helpful.....from the book of Ecclesiastes, of course. To make your tedious tasks tolerable I suggest you...
Fight aimlessness by answering these five questions
Fight boredom with these seven reminders you’re not the first to feel this way
Fight aimlessness by answering these five questions
- What do people gain from all their labors at which they toil under the sun?
- What do they gain since they toil for the wind?
- What do people get for all the toil and anxious striving with which they labor under the sun?
- What do workers gain from their toil?
- For whom am I toiling, and why am I depriving myself of enjoyment?
Fight boredom with these seven reminders you’re not the first to feel this way
- What a heavy burden God has laid on mankind!
- I hated life, because the work that is done under the sun was grievous to me.
- My heart began to despair over all my toilsome labor under the sun.
- All their days their work is grief and pain; even at night their minds do not rest.
- When I surveyed all that my hands had done and what I had toiled to achieve, everything was meaningless.
- There was no end to his toil…
- I applied my mind to observe the labor that is done on earth—people getting no sleep day or night.
- Fools fold their hands and ruin themselves.
- Whatever your hand finds to do, do it with all your might.
- Skill will bring success.
- Whoever watches the wind will not plant; whoever looks at the clouds will not reap.
- Through laziness, the rafters sag; because of idle hands, the house leaks.
- Invest in seven ventures, yes, in eight; you do not know what disaster may come upon the land.
- Sow your seed in the morning, and at evening let your hands not be idle, for you do not know which will succeed, whether this or that, or whether both will do equally well.
- For there is a proper time and procedure for every matter, though a person may be weighed down by misery.
- My heart took delight in all my labor, and this was the reward for all my toil.
- A person can do nothing better than to …find satisfaction in their own toil.
- There is a time to build.
- There is a time to weep (at the tedium) and a time to laugh (at completed tasks).
- There is nothing better for people than to be happy and to do good while they live.
- Find satisfaction in all [your] toil—this is the gift of God.
- Enjoy [your] work, because that is [your] lot.
- God keeps [us] occupied with gladness of heart.
- It is appropriate for a person to …find satisfaction in their toilsome labor.
- Be happy in [your] toil—this is a gift of God.
- Banish anxiety from your heart and cast off the troubles of your body.
- I commend the enjoyment of life.
- Joy will accompany [you] in [your] toil all the days of the life God has given [you] under the sun.
Recall the six factors that make
work interesting
- Complexity Labor with wisdom, knowledge and skill. Give yourself little challenges to increase complexity (and interest). I asked myself, "how many pages can I complete in an hour, how many pages in a day or a week?"
- Competition All toil and all achievement spring from one person’s envy of another. We don’t want to covet another person’s job, but we can emulate and try to exceed other's skill.
- Deadlines Remember your creator …before the days of trouble come and the years approach when you will say, “I find no pleasure in them.” Keep the grave in mind; we’re all in a race against the clock, the grim reaper, and the coming days of trouble.
- Variety Better one handful with tranquility than two handfuls with toil. Take breaks, break up the tedium with leisure…change work locations. I'd go from the living room couch to the kitchen table to my office desk.
- Ethics: Follow the ways of your heart and whatever your eyes see, but know that for all these things God will bring you into judgment. There are lines which should not be crossed and staying within those bounds requires creativity.
- Completion: The end of a matter is better than its beginning. Dangling finished task in front of you eggs us on.
I've turned the book of Ecclesiastes into a "how to" book which it definitely is not. Yet, because I've marinated my brain in absurdities, ambiguities, and anomalies for the last seven months I give myself permission to throw hermeneutics out the window.
Saturday, June 23, 2012
Boredom Busters and More Maus
I must not hate whining enough to quit, because here comes another whiny rant. I am simply not cut out for the tedium of connecting word balloons. There are personality strengths which allow some people to engage in repetitive work day after day. Bless them! Somebody's got to assemble lap tops, pick lettuce, or paste labels on cans of corn. But I am not possessed of those strengths. I need frequent breaks!
I just completed page 347 (arranging pages, word balloons, speakers' positions, etc). Less than 100 pages to go. I am aiming to be done by July 1 (7 days). But I've been at it for hours today and gotta shake up the slumbering synapses.
Why I Might Win a Pulitzer
I just completed page 347 (arranging pages, word balloons, speakers' positions, etc). Less than 100 pages to go. I am aiming to be done by July 1 (7 days). But I've been at it for hours today and gotta shake up the slumbering synapses.
Why I’ll not win a Pulitzer Like Art Speigelman
- Art began his project at age 24, I at age 59.
- Art did massive background research, I none at all.
- Art’s story is rooted in history, the “central trauma of the twentieth century.” My story is abstract, obtuse, rarefied, talking heads.
- Art varied his time line, mixing chronologies. I, sticking to the text of Ecclesiastes line by line, am strictly linear.
- Art used multiple locations; I’m stuck in a university class room.
- Each of Art’s drawings went through multiple permutations, thumbnails, sketches, and drafts. I plan on doing just one rough and then ink the thing.
- Art took eleven years. I plan on finishing my work in one year.
- Art’s subject matter is gripping: suicide, genocide, survival. My subject matter will appeal only to the depressed.
- Art put himself in the book, self disclosing to the nth degree, and readers get to know him. In my work I make two or three goofy cameo appearances only and readers won’t know me at all.
- Art uses real characters (parents, guards, Poles, etc). My cast is entirely fictional.
- While creating his graphic novel he began meeting with a psychiatrist. Me, no.
- Art grapples with history; I grapple with existentialism, theodicy, theology, teleology, and faith.
- Art drew in black and white; I’ll draw in a pleasant, decorative Tin Tin style.
- Both of our works are “laced with despair.”
- Both of our works grapple with “crystalline ambiguity.” P. 33
- Both of our works ponder evil in the universe.
- Both of us “write what we know.” He knew Holocaust; I know epistemological perplexity.
Okay...back to those mind numbing word balloons.
Friday, June 22, 2012
Musings on MetaMaus by Art Spiegelman
To break up the mind numbing tedium of tweaking panels and word balloons I gave my synapses a break and devoured Art Spiegelman's memoir of how he created the Pulitzer prizewinning graphic novel, Maus.
Here are comments I found most stimulating.
“…in making this kind of work, one has to inhabit and
identify with each character. You have to act out their poses, you have to
think them through…it is true that there is a kind of gestalting necessary just
to be able to inhabit each character.” P. 35
I've written elsewhere about sub-personalities but this was a nice reminder that I am in my creation.
“I’d conceived of making some long comic book that needed a
bookmark…and had to find something actually worth doing. I didn't have the
stamina to devote myself to a one-hundred, two-hundred, three-hundred-page book
just to serve up a lot of yucks or escapist melodrama.” P. 42
I relate. My work includes humor because "the sweetness of lips increases learning," (Proverbs). But humor isn't the point. My pictures and text will serve a greater purpose, simplifying one of history's most under appreciated existential texts.
“I guess I've always preferred research to writing or
drawing.” P. 43
I'm doing hardly any research (other than arranging with a college professor friend of mine permission to take reference photos inside a large classroom). I'm making no trips to Poland or the New York Public library.
“I remember a line from Shoah. A Jewish commander of
the 1943 Warsaw ghetto uprising says, ‘If you could lick my heart it would
poison you.’ It indicates just how complete the absence of sunlight can be. To
find a tone that could be informed by that bleakness and not be an inevitable
prescription for suicide was difficult…To avoid that and still allow for the
small moments that are what make a life worth living demanded a tone that I
needed to find in Maus: how to avoid despair or cynicism without
becoming fatuous. And Pavel’s discussion of what it means to soberly take stock
of just how fucking meaningless everything is and what one nevertheless does
from moment to moment was very useful for me—not just as a cartoonist, but as a
model to aspire to.” P. 70
Dr. Q's bleak pessimism could inspire suicidal thoughts in the vulnerable, so my purpose is to validate his pessimism (if world affairs don't make you depressed you're not paying attention) while hoping to call attention to as Art says, what one nevertheless does from moment to moment. This is the existentialist challenge.
“In 2007 the Anne Frank House published a fictionalized
color series of graphic novels specifically for an international teaching aid
about the Holocaust. They’re very earnest and drawn in a pleasant Tin Tin
style.” P. 127
“During that period of groping for a style, I also thought about cutting between the present and the past by having black and white line
drawings intercut with gray wash drawings, or using full-color, which would
have been way too decorative….” P. 145
And EU will be drawn in a decorative style! If the medium is the message, and the medium is pleasant and decorative, how will that "carry" the angst? The in-congruent juxtaposition may serve me well: an absurd linkage of pleasant decoration with philosophical nihilism may just be the absurd boost I'll need to pull this off.
More musings later.
Monday, June 18, 2012
Sunday, June 17, 2012
Status Report
Just finished page 289 (Eccl. 8:9) in Draft Four.
Each successive draft takes longer than the one previous. I would not have predicted this. I thought things would go faster as time passes. Alas, I am very wrong. The reasons for the slow down? In earlier drafts one could slop any old idea together. As one nears completion one becomes more careful knowing the days of editing are nearing an end.
Draft Four is 428 pages of hard copy with completed text, word balloons, and panel arrangements just waiting for pencil roughs. When I do the pencil sketches on Draft Four do I still call it Draft Four? Draft Five doesn't seem right. How about Draft Four, Part Two?
The stage (as I now imagine it) will be an angular, straight lines, interior class room. The characters will be lumpy and round and flexible. Lumpy characters on their angular stage will be "carried" in panels which themselves are angular, square, rectangle, and uniform. The six panel "grid" for each page gives me leeway to combine panels in about 6-8 configurations. But they're all very orderly and not cartoony at all. This raises an interesting question about graphic novels. When does the art serve itself rather than the text? I don't want to get so fancy with drawing that story flow is sabotaged.
Creating is evolution; evolution is creation. As I tweak dialog and word balloons I'm tantalized by the visual jokes I anticipate making (pictures on student tee shirts, caricatures, Power Point slide shows, lap top screens). The odd thing is....I don't know what those jokes will be but I'm confident they'll show up when I need them.
I purchased METAMAUS by Art Spiegelman. He won a Pulitzer for his graphic novel, MAUS. As I read METAMAUS I'm hoping to find tips on how I too can win a Pulitzer. There are so many differences between our creations that I'm not holding my breath. At the same time, I am highly inspired by his process. It took him eleven years! I'm giving myself one to two, max. He started when he was 24. I'm almost 60. Were I young I'd perhaps be more careful and thorough. Sadly, I gotta get this book done soon as there are other tasks I need to accomplish in my third third (age 60-90).
Each successive draft takes longer than the one previous. I would not have predicted this. I thought things would go faster as time passes. Alas, I am very wrong. The reasons for the slow down? In earlier drafts one could slop any old idea together. As one nears completion one becomes more careful knowing the days of editing are nearing an end.
Draft Four is 428 pages of hard copy with completed text, word balloons, and panel arrangements just waiting for pencil roughs. When I do the pencil sketches on Draft Four do I still call it Draft Four? Draft Five doesn't seem right. How about Draft Four, Part Two?
The stage (as I now imagine it) will be an angular, straight lines, interior class room. The characters will be lumpy and round and flexible. Lumpy characters on their angular stage will be "carried" in panels which themselves are angular, square, rectangle, and uniform. The six panel "grid" for each page gives me leeway to combine panels in about 6-8 configurations. But they're all very orderly and not cartoony at all. This raises an interesting question about graphic novels. When does the art serve itself rather than the text? I don't want to get so fancy with drawing that story flow is sabotaged.
Creating is evolution; evolution is creation. As I tweak dialog and word balloons I'm tantalized by the visual jokes I anticipate making (pictures on student tee shirts, caricatures, Power Point slide shows, lap top screens). The odd thing is....I don't know what those jokes will be but I'm confident they'll show up when I need them.
I purchased METAMAUS by Art Spiegelman. He won a Pulitzer for his graphic novel, MAUS. As I read METAMAUS I'm hoping to find tips on how I too can win a Pulitzer. There are so many differences between our creations that I'm not holding my breath. At the same time, I am highly inspired by his process. It took him eleven years! I'm giving myself one to two, max. He started when he was 24. I'm almost 60. Were I young I'd perhaps be more careful and thorough. Sadly, I gotta get this book done soon as there are other tasks I need to accomplish in my third third (age 60-90).
Friday, June 15, 2012
Ecclesiastes Deserves Its Negative Reputation
In college I learned the difference between snarl and purr words. Snarl words grate on us, irritate us, carry a negative connotation. Purr words soothe, comfort, and assuage anxiety.
Neuro Linquistic Programming (NLP) puts great stock in paying attention to how many snarl words clutter our vocabulary. The theory being, replace snarl words with purr words and thereby improve one's outlook on life.
Qoheleth never got the memo. Here, for your reading enjoyment, is a list of the snarl words in Ecclesiastes. Read 'em and weep.
Neuro Linquistic Programming (NLP) puts great stock in paying attention to how many snarl words clutter our vocabulary. The theory being, replace snarl words with purr words and thereby improve one's outlook on life.
Qoheleth never got the memo. Here, for your reading enjoyment, is a list of the snarl words in Ecclesiastes. Read 'em and weep.
1.
affliction
2.
afraid
3.
afraid of heights
4.
alone
5.
anger
6.
angry
7.
anxiety
8.
anxious striving
9.
appetite never satisfied
10.
bad
11.
bad smell
12.
bitten by a snake
13.
bitter
14.
breaks
15.
bribe
16.
broken
17.
burden
18.
cannot enjoy
19.
cannot understand
20.
cares
21.
caught in a cruel net
22.
chains
23.
chance
24.
chasing after the wind
25.
contend
26.
corrupts
27.
crackling of thorns
28.
crime
29.
crooked
30.
curse
31.
cursing
32.
danger
33.
days of darkness
34.
days of trouble
35.
dead flies
36.
death
37.
depriving
38.
desire no longer stirred
39.
despair
40.
despised
41.
destroy
42.
die
43.
dim
44.
disaster
45.
do not know the way to town
46.
drag
47.
drunkenness
48.
dust
49.
endangered
50.
ensnare
51.
envy
52.
error
53.
evil
54.
extortion
55.
fail to enjoy his prosperity
56.
faint
57.
fall
58.
fall unexpectedly
59.
fate
60.
fear
61.
few and meaningless days
62.
folly
63.
forgotten
64.
frustration
65.
goads
66.
great misfortune
67.
grief
68.
grievous evil
69.
grinders cease
70.
harm
71.
hate
72.
heavy burden
73.
house
leaks
74.
idle hands
75.
injured
76.
injustice
77.
jealousy
78.
judgment
79.
know nothing
80.
lack sense
81.
laziness
82.
madness of folly
83.
meaningless
84.
miserable
85.
misery
86.
misfortune
87.
mistake
88.
mourning
89.
never satisfied
90.
no comforter
91.
no further reward
92.
no longer heeded
93.
no one can discover
94.
no one knows what is coming
95.
no one to help
96.
no pleasure
97.
no rest
98.
no sleep
99.
not content
100.
not finding
101.
not go well
102.
not plant
103.
not reap
104.
nothing gained
105.
offenses
106.
oppressed
107.
oppression
108.
overpowered
109.
pain
110.
perishing
111.
pit
112.
pity
113.
poor
114.
poverty
115.
prison
116.
protest
117.
provoked
118.
rafters sag
119.
realm of the dead
120.
rebuke
121.
revile
122.
rights denied
123.
ruin
124.
sad face
125.
schemes to do wrong
126.
severed
127.
shadow
128.
shattered
129.
shouts
130.
siege works
131.
sin
132.
sinful
133.
sinner
134.
slaves
135.
snake bites
136.
snare
137.
sorrow
138.
stoop
139.
stupid
140.
stupidity of wickedness
141.
taken in a snare
142.
tears
143.
times are bad
144.
toil
145.
toil of fools
146.
toilsome labor
147.
trap
148.
trapped by evil times
149.
tremble
150.
troubles of your body
151.
unclean
152.
warning
153.
weapons
of war
154.
wearisome
155.
weighs heavily
156.
wicked
157.
wicked madness
158.
wickedness
159.
without meaning
160.
woe
161.
wrong
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